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My year in wine, the summary

27 Dec

So 2011 was a bit of an important year for me, wine-wise because I

• Joined the Boston Sommelier Society after a whole lot of trepidation about not working in the industry for reals
• Got a subscription to Wine Spectator and didn’t open a damn issue
• Took the Australian Wine Immersion Program course.
• Started working with a startup wine site (more about this at some later point when appropriate)
• Tried Penfolds Grange
• Tried Nicolas Joly
• Spent about $2800 on wine
• Met Jean-Luc Thunevin
• Housed 150 bottles in my apartment
• Passed the CSW exam.
• Checked out Virginia’s vineyards
• Got my own personalized wino tour of Austin
• Led about two dozen wine tours in Boston for my new part-time job with City Wine Tours
• Had a bunch of fun with Red White Boston
• Tasted over 400 wines.

All that kept me busy, for sure. So expect a bunch of back-filled posts one of these days.

Introducing Sada Super-Tuscans

15 Jun

“You down with IGT, yeah you know me.” Ok, so I really wasn’t singing that on my way to the June Red White Boston Tasting Crew get-together of four new-to-Boston Super Tuscans produced by Sada Estate.

A quick word about Super Tuscans, or alternately “Supertuscans.”
As many of you know, many wine regions are overseen by a local quality control board that has a lot of kooky bullshit important, constructive regulations, benchmarks and strictures in order for a wine to get the valuable, useful, lucrative marque of being from the area (in Italy usually a DOC or DOCG designation).

Sure, it’s got benefits: you don’t want someone growing Concord grapes in Albania and calling it Pauillac. Without quality control, everyone suffers. (But, IMHO, you also run the risk of wine that kinda ends up commoditized because everything tastes like everyone else from that area.) So back in the 1960s and 70s, some Tuscany winemakers decided they were going to get all sacrilegious in a sense (yeah, rebellion!), make the wines they wanted to do, and grow Gasp! French! Grapes! And! Use! Them! In! Italian! Wines! Pearlclutching to ensue!

They added mostly Cabernet and Merlot to the mix, and guess what? The world didn’t end, and the end product kicked ass–so much so that the really swanky ones like Sassacaia charge $200 a bottle. Yowza, how’s that for high-rent district? So Italy decided to be real about the sitch and create a new local designation level called indicazione geografica tipica (IGT) which basically means “we admit it’s not crap table wine, but we’re not going to entirely give in to these upstarts and let them use our hallowed DOCG name unfettered. So nyah nyah.”

So onto the show

North End hospitality

He was playing "It's Now or Never." You haven't lived til you've heard Elvis on the accordion

Sunday night’s tasting was held at Pagliuca’s in the North End on Parmenter Street, featuring Sada’s affable, dapper maestro Signore Davide and his equally natty, hospitable son Alfonso. I don’t spend a lot of time in the North End (I leave it to the disadvantaged people who grew up without an Italian grandmother) so this was my first visit to Pagliuca’s. But they were clearly on a mission to impress as well with antipasti, live music, and the TV set to RAI.

Tuscany IGT Super Tuscans

Let the games begin!

First up, the 2010 Vermentino. Someday, I’m going to write a comic book about a wine-loving paisan mouse named ‘Tino who tells kids about wine. But I digress. Signore Davide told us “Vermentino has to have a hard life, it has to suffer.” (Like most grapes, Vermentino grows better in extreme climates. If it has an easy life, the grapes get too big and the juice literally gets watered down. You don’t want to grow tons of grapes, only good ones.) He said Vermentino is pretty fashionable in Europe right now and told us to “close your eyes, turn the glass, and feel the perfume.” I gotta be honest: I was turning that glass hard. Not the most fragrant Vermentino I’d ever had, but fine nonetheless (100%, unoaked). It was more substantial than a Pinot Grigio and had a lot more orange oil and grapefruit flavor going on. It would probably make a nice year-round white, especially at a projected $12 retail. I’m not sure it’s a “yacht wine” like Lettie Teague thinks, because I think a good Riesling would fit that bill. But anyhoo…

Sada Integolo 2009 IGT

"integolo" is Italian for happily buzzed.

Next up was Sada’s “everyday red,” the 2009 Integolo, a blend of Cabernet Sauvignon, Montepulciano and Alicante. Signore Davide told me that in Italian, integolo means “the sensation when you go out and drink too much wine, more than you were expecting” which would be pretty easy to do with this one if you drank Bordeaux pretty regularly. Lots of black cherry, black currant, black olive, tobacco and violet flavors which were lightly structured and not oppressive, but I think for most casual drinkers, this would be a wine that would demand a little attention like a crankyface four-year-old every time you drank it.

2008 Sada Baldoro

A fantasy name, a down-to-earth wine.

The 2008 Baldoro (“a fantasy name”) was another everyday wine, also with the Cab/Montepulciano/Alicante blend in different percentages. This one was a bit heavier, with more dust, plum and savory/brambly flavors—I kept thinking of heather, actually. The purple was a lovely color, but being in the basement function room, I couldn’t get a good pic of it. Would pair nicely with osso buco for sure.

The 2006 Carpoli , named for their region of Tuscany, was a Cab Sauvignon/Cabernet Franc/Petit Verdot blend exhorted to be savored for special occasions “with your wife, your lover….” (why not your wife and lover? That would be pretty dang special, n’est-ce pas?). It’s not made every year, only when they determine the grapes are good. It spends two years in the barrel. This one had another gorgeous garnet color I couldn’t get a good money shot of. The palate was jammier, with a texture like liquid gelatin in the fridge before it sets.

Once again, Red White Boston kicks out the jams. (Seriously Cathy, if you’re reading this, I told Terry L. we’re going to be expecting limos taking us to Sonoma by the end of the year). If you’re down with Super Tuscans, what’s your favorite? And where have you bought it?

Ciao, Apulia: Or a very nice evening with Puglian wines

18 May

Puglia (aka Apulia to the paisans) is basically the southeast heel of the Capezio boot that is italy, running for more than 200 miles along the Adriatic Sea, and mostly known for negroamaro and primitivo, and in the 1970s, crappy vermouth. It’s a region that quite frankly gets overlooked: southern Italy is poorer than the more glamorous north in general–and when you add all the super-powered wine regions up there, it’s hard to blame consumers who never drink past Umbria on the map.

You can find Puglian wines around here, but you have to look (start with Wine Bottega and Vinodivino for starters). The few I’ve had were quite enjoyable, but if you don’t think to look for them you don’t think to ask for them.

Masseria Celentano, Casaltrinita, Cantine Teanum, Botromagno

Some of the Apulian fabulosity.

Well, a passel of winemakers there are aiming to change that. Every single email I got over the past week seemed to have some event in town for the Puglia posse. These guys were booking it all over town, meeting the industry and the well-heeled likely consumer, culminating at a dual tasting at the WGBH studios for consumers and then for the Red White Boston Tasting Crew.

What struck me most was that many of the wines, both red and white, had a marked salt water taste. At first, you’d think this would be kind of nasty–I mean, salt water is what you drink when you really really really need to throw up after a night of epic alcohol consumption when you’re 16 and need to leave the slumber party and go home to your parents. (Or so I’ve heard. And don’t try this at home, kids. But I digress.)

But Puglia’s location, on the ocean, in a warm-weather region, means that the grapes have a pretty nice life and conditions to grow and ripen and all that stuff that could lead to decadence and wonderfully luxurious, unctuous fruit flavors. The salinity reins all that potential excess in so that wines end up being crisp and palate-teasing, with a good balance between fruit and acid.

Two of the standout grapes (Italy’s got something like 3,000 native varieties; you’re forgiven for not remembering these, LOL) were new to me:

Caseltrinita nero di troia

Caseltrinita's nero di troia

Nero di Troia: one of the unusual features about this red grape is that it ripens late in the fall. In Italy, it’s been grown for volume, to be a “filler” grape. The stuff we had tonight tasted a lot more developed for only being a couple of years old–the tannins weren’t causing me to scrape my teeth down with barbed wire like a lot of young Italian reds do. And, again, the salinity was present. To be honest, Italy has a lot of cock-of-the-walk badass reds, so nero di troia might be a hard sell to most people who love their nebbiolo, unless a winery could appeal to the budget-conscious types. These would be a pretty kickass bargain.

Greco: To be specific, greco bianco, imported from Greece nearly 3,000 years ago. No less an authority than Oz Clarke calls Botromagno one of the finer producers of it, even if he isn’t particularly effusive about it, calling its peachy briskness “often rather good in a neutral sort of way.” The 60/40 Greco/white malvasia blend was crisp like a Torrontes from Argentina–but it comes from Gravina, a small DOC–so small in fact, Botromagno is the only grower there.

One of the biggest, most pleasant surprises of the evening was Aglianico: Get it young, and it’s a brat of a wine: tannic and overbearing, especially if you don’t pair it with big overbearing protein-packed food. The two served last night were both pretty well-behaved. Cantine Teanum’s Otre Aglianico was a big hit for me: super brandied cherries and strawberries, rhubarb and pencil shavings (hey, that kid who ate paste in your second grade class was on to something) were held nicely in check by the saline quality of the wine. Botromagno’s Pier delle Vigne was a 60-40 Aglianico-Montepulciano blend; this one had more of a grainy “chaff” taste to it, like barley or hay, and a sulfurish “matchsticky” bite. Interesting in its own way.

Puglian white wine moscato sauvignon blanc

One of the WGBH Apulian stanadouts

Masseria Celentano’s La Preta deserves to be a cult wine someday—another example of excess and restraint. It had a luxurious nose of honeysuckle, floral and pollen, orange blossom, dry melon and mango—and counterbalanced with tobacco (which is often said about reds) and that saline taste. It’s a blend of 70% moscato and 30% sauvignon blanc. I would have preferred maybe 25-28% sauvignon blanc to make it a little less dry, but hell, I’ll take it if I can ever find it again.

Gravisano Malvasia Passita was another big win for Apulia—it was the kind of dessert wine that would make Jerez shake in their soleras in fear, or, as my pal Jason Phelps at Ancient Fire Wine thought, Canadian icewine makers. Sweet without being cloying or diabetes-inducing. Believe me, when we got to take home the leftovers, I yoinked that one forthwith.

More Puglians from the evening

As is typical of Puritan over-regulated Massachusetts, the kicker is that these wines aren’t available here yet, so bookmark this page and check back, or print it out and take it to your local wine outfitter and tell them to tell their distributors to get on the stick. Or find a sympathetic friend in another state to front for you.

So what about you? Any good experiences–travel, gustatory or otherwise–from Puglia?